Founded by Caro Jost in 2014.
A non-profit art space with the focus on an exchange of ideas and international art projects, in which the classical roles between artist, gallery, museum, curator and collector
are (to be) disbanded.
EYES ONLY is member of the ArtistRunAlliance, New York >>
Mail-Art Project to visualize time, distance and movement.
Silkscreen, relief print on handmade paper, 10,5 x 15cm, each edition: 150.
Postcard editions sent from:
2006: London, New York
2007: Sevilla, Berlin
2008: Prague, Hong Kong, Veszprém, Miami Beach
2009: Madrid, Istanbul, Moscow
2010: Bayreuth, New York
2012: Muscat, Kassel, Milano
2013: Rome, Jerusalem
2014: Oslo, Athens, Toronto, Havana
2015: Amsterdam, Los Angeles
2016: Helsinki, Vienna, Munich
2017: Bilbao, Luxembourg, Turin
2018: Abu Dhabi, Copenhagen, Taipei
2019: Dubai, Malmö
ONE NIGHT AT SCHUMANN`S
Museum of the City of Munich
Permanent wall installation reffering to the former location of the Schumann´s Bar, Maximilianstrassse 36, Munich (1982 – 2003)
Von der Seifenblase zur Sprechblase
Contest for art-in-architecture
HITTING THE HIGH NOTES
by Karin Sander
Performance (Saxophone) at Herkulessaal, Munich Nov. 2017
Oil, paper, digital print on shaped canvas
47 x 71 x 6 inch || 120 x 180 x 15 cm
Movie backdrop “Fack ju göthe 3” by Bora Dagtekin
Constantin Film, Munich 2017
Steven Aalders at LodenFrey || curated by Caro Jost
Arnold Odermatt, Weegee, Caro Jost
Lecture by Prof. Dr. Klaus Volk: “Die Wahrheit vor Gericht…”
Notel by Academy of Fine Arts, Munich, 2016
Installation, wallpaper made of original law gazettes
500 drawings on law gazettes
With the friendly support of Verlag C.H. Beck
WHICH WALLS DO YOU TALK TO?
Two workplaces, one artist. Caro Jost established a connection between her studio and an inner courtyard at Türkenstrasse, Munich.
A side-specific installation with the support of hw.design ART PROJECT, 2014.
Winner of Red Dot Award by Design Zentrum NRW, Essen
Academy of Fine Arts, Munich, 2014
Tape, chain ring, chain, padlock, steel ladder on wheels, used fire alarm boxes. The visit to the scene of the crime as a methapher of leaving traces, rise and fall, cause identification and searching marks.
by Marcus H. Rosenmüller and Caro Jost
Academy of Fine Arts, Munich, 2013
The Munich – New York Art Project
Daily photo transfer, New York 2000 – 2001
2001 in New York City, where a year earlier, Caro had begun her career as an artist at the Art Students League. Riveted by the pulsating life in this city of winners and losers, the artist began putting together her personal archive of material and photographs. Even today, her time spent there continues to determine the paths she pursues in her work in general.
In order to establish a connection between Munich and New York computer screens were installed in publicly accessible locations in the city center of Munich. Everyday Caro Jost took a digital photo in New York, send it to Munich via Internet, and was displayed each day on the screens. These daily pictures showed the progression of Caro Jost´s work, as well as reflected trends and influences in the New York art Scene.
DOCUMENTA (13) is everywhere
New York City, November 2010
„Caro Jost is a tracker and a tracer. Her working method is investigative: inquiring and revealing, but not in a voyeuristic manner. With sensitivity, she links historical and very personal aspects together. By carefully interweaving the threads of her own story and her own perspective with elements of the bygone past, she creates a level of self-reflection, in which she not only finds herself, but also allows the observer to do the same. Streetprints are the basic for all her works. Installations and projects are based upon this concept as well.”
Anna Wondrak, 2013 || Curator Museum für Konkrete Kunst, Ingolstadt